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Quarta edizione con versioni digitali scaricabili


Guida all’uso fortemente rinnovata con ampio eserciziario per la pratica d’uso.

The entire myth can be traced to a single, often-misquoted interview from the early 2000s. During a press junket for Kill Bill: Vol. 1 (2003), Tarantino was asked his usual battery of questions: kung fu movies, Spaghetti Westerns, and what classic property he would like to "Tarantino-fy."

Some fans have pointed to a subtextual link between Pinocchio and Tarantino’s existing work. In Pulp Fiction (1994), the character of The Gimp — a leather-clad, submissive figure kept in a box in a pawn shop basement — has been interpreted by some critics as a grotesque inversion of Pinocchio. The Gimp is literally a "puppet" controlled by Maynard and Zed. He is a "real boy" (a man) who has been reduced to a wooden, silent, obedient figure.

"I’d love to do a hard-R Pinocchio. Where the puppet is a real piece of wood. A real bastard. And Geppetto is a drunk. It would be like a ‘fairy tale noir’ set in Mussolini’s Italy."

Honest John pulls a match. He strikes it on his own fur.

He tosses the match. The alcohol ignites. The bar is an inferno.

The title card slams onto the screen in bold, yellow, block letters over a freeze-frame of a terrified wooden boy:

If I go down, you're both kindling!

Many are surprised to learn that the original story is far more macabre than the films. In the novel, Pinocchio is a "selfish little beast" who bites off a cat's paw and is eventually hung by the Fox and the Cat. This level of visceral imagery aligns perfectly with Tarantino’s penchant for stylized violence and high-stakes morality plays. Why Tarantino is Unlikely to Direct It

Quentin Tarantino Pinocchio [repack] Jun 2026

The entire myth can be traced to a single, often-misquoted interview from the early 2000s. During a press junket for Kill Bill: Vol. 1 (2003), Tarantino was asked his usual battery of questions: kung fu movies, Spaghetti Westerns, and what classic property he would like to "Tarantino-fy."

Some fans have pointed to a subtextual link between Pinocchio and Tarantino’s existing work. In Pulp Fiction (1994), the character of The Gimp — a leather-clad, submissive figure kept in a box in a pawn shop basement — has been interpreted by some critics as a grotesque inversion of Pinocchio. The Gimp is literally a "puppet" controlled by Maynard and Zed. He is a "real boy" (a man) who has been reduced to a wooden, silent, obedient figure.

"I’d love to do a hard-R Pinocchio. Where the puppet is a real piece of wood. A real bastard. And Geppetto is a drunk. It would be like a ‘fairy tale noir’ set in Mussolini’s Italy." quentin tarantino pinocchio

Honest John pulls a match. He strikes it on his own fur.

He tosses the match. The alcohol ignites. The bar is an inferno. The entire myth can be traced to a

The title card slams onto the screen in bold, yellow, block letters over a freeze-frame of a terrified wooden boy:

If I go down, you're both kindling!

Many are surprised to learn that the original story is far more macabre than the films. In the novel, Pinocchio is a "selfish little beast" who bites off a cat's paw and is eventually hung by the Fox and the Cat. This level of visceral imagery aligns perfectly with Tarantino’s penchant for stylized violence and high-stakes morality plays. Why Tarantino is Unlikely to Direct It