That’s the thing about being the significant other. You’re significant to someone. But you’re not always significant on your own .
(looks up, half-smiling) That’s bleak. Also—I don’t have a biopic.
Set in 21st-century New York City, Significant Other follows , a single, Jewish gay man in his late 20s. Jordan is the quintessential "gay best friend" to a tight-knit trio of women: Kiki, Vanessa, and Laura.
You know what I realized today?
It’s not an insult. Supporting characters are lovely. They’re funny, they’re loyal, they drive the hero to the airport. But they don’t get a character arc. They exist to serve the plot. And lately—I’m serving your plot.
I don’t think I’ve had an original thought in six months. I mean—I have thoughts. But they’re all about you. Or us. Or what you need. Like I’m the narrator of your biopic.
The play "Significant Other" by Moira Buffini explores the complexities of relationships, identity, and human connection. The story revolves around four couples, each navigating the challenges of love, intimacy, and partnership.
That’s the start of the whole thing.
That’s the whole thing?
I don’t want a supporting character. I want a co-lead. I just didn’t realize I’d stopped treating you like one.
Then take it.