The agency handles award-winning authors whose accolades span the Nobel Prize, Cervantes Prize, Alfaguara Prize, and Planeta Prize.
Take, for example, the phenomenon of Carlos Ruiz Zafón’s The Shadow of the Wind . The global success of such a novel required an agency capable of selling the book not just as a story, but as a global brand. The Kerrigan agency excelled at this, positioning Spanish literature not as a niche interest, but as mainstream commercial entertainment for international audiences. This success proved that Spanish authors could command the same advances and readership as their British or American counterparts, thereby raising the economic prestige of the entire industry.
The agency represented Carlos Ruiz Zafón and guided his 2001 masterpiece, The Shadow of the Wind , to global commercial heights. The title was translated into more than 50 languages and sold millions of copies worldwide. agencia literaria antonia kerrigan
Before striking out on her own, Antonia trained for several years under Carmen Balcells, the iconic matriarch of the Latin American "Boom" literary movement.
Providing solutions for author rights and translations between different markets, such as Brazil and the Spanish-speaking world. The Kerrigan agency excelled at this, positioning Spanish
For further details on their current catalog and submission guidelines, you can visit the Agencia Literaria Antonia Kerrigan official site . Nadie en esta tierra | OLD - Icex
The is a premiere global literary power player based in Barcelona, Spain. It manages worldwide publishing rights for top-tier Ibero-American authors. Founded in the late 1980s by legendary agent Antonia Kerrigan, the agency acts as a bridge connecting Spanish-language narratives with global markets. The Legacy of Antonia Kerrigan The title was translated into more than 50
The agency partners with specialized co-agents like . This partnership fast-tracks its deep catalog of novels for adaptation into feature films, streaming television series, and multi-media formats. 4. Foreign Inbound Representation