Grave Of The Fireflies Roger Ebert [new] Jun 2026

Some key points from Ebert's review include:

: In interviews, Ebert emphasized that the film’s excellence as art doesn't depend on technical fluidity or frame counts but on "how it makes you feel". He felt the story and characters were so involving that technical details became secondary to the emotional experience. YouTube +8 Why He Recommended It 11 sites Grave of the Fireflies - Wikipedia In his own words, it "is not at all an anti-war anime and contains absolutely no such message". Instead, Takahata had intended to ... Wikipedia Grave of the Fireflies movie review review: - Roger Ebert Mar 19, 2000 — grave of the fireflies roger ebert

We open in a crowded train station. A young boy, ragged and skeletal, leans against a pillar. He is dying. A janitor approaches, finds a candy tin, and tosses it into a field. From the tin, a small, ghostly firefly rises. So begins the memory of Seita, a teenager trying to keep his little sister, Setsuko, alive in the final months of World War II. Some key points from Ebert's review include: :

Isao Takahata’s 1988 masterpiece, produced by the legendary Studio Ghibli, is an animated film about the firebombing of Kobe during World War II. But to call it a “war film” is like calling the Book of Job a “bad day at the office.” It is a ghost story that announces its ending in its first shot, then spends the next 89 minutes breaking your heart by showing you how it got there. Instead, Takahata had intended to

He noted that the film followed the neorealist tradition of Italian filmmakers like De Sica or Rossellini, telling its story of two war victims simply and directly without over-relying on melodrama.