Saaho

Shraddha Kapoor, unfortunately, is wasted. Her character is relegated to the "smart cop who exists to explain the plot" trope, and the much-hyped chemistry between the leads fizzles due to a lack of meaningful screen time together.

Prabhas delivers a solid performance as Ashok, bringing depth and nuance to his character. Shraddha Arya is charming as Pooja, and her chemistry with Prabhas is undeniable. Thakur Anoop Singh is excellent as the villainous ACP Ravi, bringing a sense of menace and unpredictability to the role.

I feel like Saaho got a lot of hate simply because it followed Baahubali . People wanted another epic, but they got a stylish cat-and-mouse game instead. Shraddha Kapoor, unfortunately, is wasted

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⭐⭐½ (2.5/5) – Watch it for the action, not the logic. Shraddha Arya is charming as Pooja, and her

Saaho was one of the most anticipated Indian films following Prabhas's global success with the Baahubali franchise. Directed by Sujeeth, it was marketed as India's largest action-thriller of the year, boasting a massive budget and a pan-India star cast.

: The film is known for its ambitious scale, featuring extensive VFX and high-speed action sequences filmed across international locations like Abu Dhabi. People wanted another epic, but they got a

Saaho is a flawed gem. It tries to do too much—romance, heist, thriller, revenge drama—and masters none of them. But in an era of safe, formulaic cinema, you have to admire the sheer audacity of Saaho . It swings for the fences every single frame. Does it strike out? Sometimes. But when that car flies through the air and Prabhas lights a cigarette in the rain, you’ll remember why you love the chaos of big-screen Indian cinema.